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Waves have assembled sediments; glass fragments\rfound been melted together — a multitude of realities compressed in one “fluid” object — turned to\r“stones” with spectral meanings. The fluid shapes a moment where matter is suspended in time — an\rundef place. Objects have been unmapped and act as ghosts — oblivion data. How to welcome\runknowness/unknown entities by embracing them?\rAntoine Félix Bürcher’s work is presented as an exploration of a post-digital world in which the images\rof our screens haunt the earth; an archaeology of traces where different temporalities and multiple\rnarratives merge. For A place for remembrance the artist collected fragments of glass from different\rcontexts on a daily basis and assembled them into sculptural objects - a multitude of realities found in\rmirrors, windows, computer screens, bottles are compressed into a fluid object and transformed into\rfossil stones with spectral meanings. These objects take us to that moment after the catastrophe,\rwhen humanity exists only in its traces - the cables and objects that once organised the bodies are\rlocated in an Oxbow lake. Over time, the latter has become detached from the main bed at a speed\rslowed by the accumulation of sediments until time stands still. The objects, separated from the main\rflow, stop there and are no longer mapped - unmapped. They act as ghosts in a traumatic space; data\rof oblivion - undef. The glass of these drifting sculptures is a paradoxical material; delimiting bodies in\rarchitecture and everyday life, it is situated in the porosity of the limits between the visible and the\rinvisible, the fragile and the solid, the living and the non-living, like a ghost. In the Oxbow lake it is\ropaque, like a surreal moment when the interface becomes an object. The time that is frozen there,\rsuspended and recorded in the materiality of the sculptures, is familiar to us. It is the indefinable\rpresent time of an unimaginable future that haunts a present, itself marked by the weight of a past.\rWhat is the imaginary possible in the wall we are facing? What form will the rebirth of bodies that\rhave become matter again take? In fossils of the future acting as memory clusters, Antoine Félix\rBürcher imposes an unknown to reflect on our relationship to reality.\rComputer language as concepts :\r- undef or undefined : “undefined property indicates that a variable has not been assigned a value, or\rnot declared at all.” A place that has not been defined yet. Opening a place for ambiguous meanings\rby embracing unknowns — undef.\r- unmap : an action. It is used to remove metadata’s (metadata is : “for a document might include a\rcollection of information like the author, file size,...”), to unmap a document : to remove its metadata’s.\rWithout its\rmetadata, the document can be undef.","tutors":[{"name":"Vincent Kohler","_id":"tutor-vincentkohler"}]}},"pageContext":{"id":"-82333090-14f0-5723-846f-a79392568a48"}},
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